Showing posts with label Visual Culture Journal. Show all posts
Showing posts with label Visual Culture Journal. Show all posts

Sunday, 16 March 2014

Visual cultures 2000 word essay- How did the growth of youth culture in the 1950's and 60's affect the ways in which the teenager was portrayed?

How did the growth of youth culture in the 1950's and 60's affect the ways in which the teenager was portrayed?


The 1950's and 60's youth movement changed the way teenagers were thought of forever. Pre war teens were miniature clones of their parents, and expressing individuality through fashion and music was not heard of. During the post world war II baby boom the children were coming into adulthood and finding their own feet in the world this included having there own view and opinions on various subjects. This new individuality shaped and began to lead the way for a new generation, during this period, the new teenage movement brought along political activism, the fight for racial equality, the birth of the hippies and much more. Although we see the teenage movement of the 1950's and 60's as a good thing due to the fact it gave freedom to a whole new generation many people of that time did not see this as a great thing.

American and British youth movements were very different. American teens had a large amount of disposable income and a large variety of items to spend their money on due to the fact for the first time in a long time Americans were allowed to be rich and everybodys outlook on life was to have 'the good life' compared to the British teens who were still suffering in money and food shortages after world war 2. During post war Britain, British teens spent a lot of time admiring the way the American teens lived, this was because the American teens owned their own cars and would wear the newest fashion and this was something British teens could only dream of but this would soon change.

Another thing British teens admired about the way the Americans lived was their new music styles. During the 50's Rock 'n' Roll became a hit with teens all around the world. Elvis Presley had a massive impact in Rock 'n' Roll and became an instant. Although teens enjoyed the sounds of Rock 'n' Roll many adults did not, they considered this genre to be the devils music and said it was corrupting the children. Rock 'n' Roll inspired and played a crucial role in many youth movements all around the world. Some of which i will discuss further.


The first youth group in Britain was the teddy boys and teddy girls, better known as the 'Teds'. But this was a few years after the Americans kick started the youth movements and only came along in 1953. The teds fashion sense was strongly influenced by the American Rock 'n' Roll style but had it's own twist. They would have Elvis inspired quiff's and flick knives but also wore edwardian style coats. Their style originated from the edwardian style dress that was around from 1951 onwards, as the style came from the working class communities it is said that the style came from the teens not the fashion designers. The saying most commonly used by the teens to describe their style was 'our dress is the answer to a dull world'. One unfortunate thing about the Ted's could be violent and this would make the older, older adults sceptical and judgmental. 
Never the less the teddy boys were created to shock their parents generation. They would often be caught vandalising and causing fights in the streets, things you may associate with a gang today, the teddy boys were considered to be a force to be reckoned with. This meant anybody in their style of clothing was immediately scrutinised. The media right from the start began to slander the teddy boys reputation by mocking the way they dressed. In 1954 a caricature was created that depicted a teddy boy as "a monkey in a drape". This was printed in the Brighton Evening Argus. This caricature shows perfectly the beliefs of the general public on how the teddy boys dressed. Other newspapers showed the anger the public had towards them, this was because of the teddy's being known widely for their violence therefore many labeled them as a menace. It wasn't until a teen called John Beckley was murdered by a teddy boy that the public really couldn't tolerate the teddy boys anymore, this tarnished the whole teddy boy teen movement and the public ended up declaring 'war on the teddy boys'. Needless to say the teddy boy movement died down and the violence on the streets by these menaces diminished.
(Above) a group of Teddy boys. 

                                                                                     

Unlike the 1950's in britain the 60's proved to be more revolutionary to the youth movement. The 60's brought the birth of the hippies. This sub culture had a "anything goes" approach to life. They believed that all you needed to have a good life was happiness. Hippies had become bored and not content with what their parents had set up for them so as a result searched for a more simpler way of life with less materialistic values. 

They believed in equality for women, sexual liberation and eco friendly lifestyles which meant hippies were more often than not vegetarians. As well as protesting their beliefs they also promoted psychedelic drugs like LSD, they claimed these drugs "expanded their consciousness". It was not long before the public began to think of hippies and sex crazed drug lovers who went to festivals just to do those things and this was viewed as a negative thing to the older generation who wasn't used to the new music and openness to sex. 
Hippies based their movement of the shared beliefs, love of drugs and music. One British band that was a key factor in the birth of many British hippies was The Beatles. The Beatles has a movement of their own and this movement was called Beatlemania.



1964 brought around The Beatles it took no more than 4 years tot takes The Beatles from a dive bar to performing for a worldwide audience. 
(left) The Beatles taken by photographer Mike Mitchell.



The Beatles fans ranged from hippies listening to all you need is love to screaming teenage girls. The beatles attracted large crowds of screaming fans everywhere they went. The fans were so enthusiastic about the four boys that it was said by many to border on hysteria. Once the boys began to be known as 'the bad boys' parents started to worry about what their children were idolising. Teen girls being obsessed with bad boys would then start to have sexual desires and this wasn't something the parents could accept about their children, although sexual openness was embraced by the teens the older adults were not as compelled to be as open as the youths. 



Another major youth movement in 60's Britain was the Mods and Rockers. Unlike the hippy craze Mods and Rockers didn't have strong political views and were also rather well dressed all be it in their own different ways. It has often been known as a fashion war between the two because of the rivalry they both have for one another. The Mods were neat dressed italian scooter drivers and the Rockers were Leather jacket wearing motor bike riders. The two are well known for their wild, explosive fights in seaside towns the most famous of which were in Brighton town. These fights caused near riots and police presence was crucial, this gave the two a bad name and wasn't always accepted by the older adults of Britain.
(right) unknown photographer captures fights between the Mods and Rockers at Brighton beach. 

The Mod fashion style was neat, clean and simple. They prided themselves on how well dressed they were, the male mods would often wear suits on  daily basis whereas today that kind of attire is only worn on special occasions and the females would wear skirt suits and fancy tops with perfectly styled hair. Presentation was key. 
(left)"John stephen, outside His The Mod Male Shop" which catered for all things suit and scooter related. 


Whereas rockers were not as clean cut and had more of a rugged style with the men wearing leather jackets, rough quiffs or long hair and the females wearing the leather jackets on top of skirts and nice tops. (right) a group of Rockers showing the classic leather jacket look. 

The rivalry between the two was so well known and strong that if even one rocker or mod saw one another or even just saw their motorcycle or scooter it would cause either a jumping on one individual or full blown brawls, no matter if they were in someones cafe or on the street. This cause a lot of issues for many people's businesses and daily lives. These youths were a true menace to the public. 

In 1979 the film Quadrophenia was released. This film depicts perfectly the life of a Mod in 1964, showing the clothes the parties, the entire lifestyle right down to the riots and fights in the sea side towns. This films followed Jimmy Cooper the main character as he tries to find where he belongs, he finds that with the Mods in london. He encounters troubles with a girl and rockers throughout this films and it gives you a crystal clear understanding of the life of a Mod in 1964. 
During this film as you see Jimmy struggle you witness the constant shame and disappointment his parents and sister have for him. Their opinion on his wild antics and lifestyle choices aren't great. It makes you see the point of view of the older generations on the way the youths of the time were acting. 


(Right) Jimmy mother on set. This is a screenshot taken from the film. This was from a scene where Jimmy was getting shouted at by his mother because of the way he was behaving. Scenes like this in the film show exactly how the older generation thought of the youths. 
But on the other hand in the image to the left (another screenshot) the youths themselves thought the Mod way of life was the best thing ever and was just that a way of life not a state of mind. They thought it would last forever, that the scooter would never die. 
Therefore the thoughts of the people who really cared about them weren't so important.
(Right) the big fight scene between the Mods and Rockers on Brighton beach captures the gruesome reality of the rivalry. These scenes brought about police in riot vans and on horses and involved many arrests. Including Jimmy himself and what was shown as the leader of the Rockers.  (Below) Jimmy and the blonde man were bundled into the same van and this lead to them sharing a cigarette in this scene, showing a simple act that caused a truce between the two individual Mods and Rockers momentarily, which at the time really wasn't heard of. 

Although today people who love scooter or motorcycles don't have the same hatred toward one another, some values from those Mods and Rockers still live on. They both take pride and joy in their scooters and in most cases their own appearances. They both still to some extent don't like the others choice of two wheeled vehicles but this doesn't cause the full blown brawls you saw back in the 60's. The Mods and Rockers lifestyle very much lives on today, despite the rising hatred of the movement from the older generation.

In conclusion it can be argued that all of the youth movements of the 1950's and 60's has an all round negative affect on how the new teenagers were portrayed to the older generations. They were just not used to the youths, their children wanting to rebel and gain their own image and style and wanting to be able to voice and act upon their own thoughts and opinions not their parents thoughts and opinions. Whether the youths were a Hippy, a Ted, a screaming fangirl of The beatles, a Mod or Rocker or anything else violence, sex, drugs and irrational behaviour was always associated with them and although this behaviour is quite common in todays day and age this was just obscene for the post war adults.




11/ Page 124 in "The Sixties in Britain" -hysteria
12/ Page 118 in 'The Sixties in Britain" -Mods



















Friday, 14 March 2014

Visual cultures bibliography

1
http://www.citrinitas.com/history_of_viscom/alphabet.html








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Sunday, 9 March 2014

Visual Culture 12 - from 1970 to present day.

Documentary photographers from 1970 to present day


Documentary photography is a type of photography that antails the photographer recording historical or important and informative events. But on occasion for photographs to be considered to be in the documentary style they just had to depict real life.
The profession this type of photography would usually lead you too is photojournalism on an amatur or professional basis.
Documentary usually must be candid as this portrays the truth opposed to a staged scene, and the truth is the main objective or documentary photography. 

Chris Killip

Chris Killip was born on the Isle of man in 1946 and decided to pursue photography full time at the age of 18 2 years after he had previously left full time education. He became a beach photographer to earn enough money to eventually leave the Isle of Man, but these beach shots he had taken and some that were yet to be taken were to become now in the 21st century very famous and iconic in their own right. But it wasn't just his beach shots that were the best documentary photography he had created there was others in various different scenarios. 
Below i will show examples of his work:




















Martin Parr

Martin parr has been interested in photography for as long as he can remember. Ever since his grandfather would lend him his camera and help him develop and and print images, as Martins grandfather was an amature photographer himself.
Since then Martin became an avid photographer himself taking shoots all over, this lead him to become a member of the famous Magnum photography books. 
Now at the age of 61 Martin is still producing work for his own personal use and also for gallerys and companies. 
Examples of his work is shown below:






























Present day documentary photographer
Eve Edelheit

Eve is an American photographer who was born in 1988. She has gone into the profession of photojournalism and is based in St. Petersburg, Florida. The company she works for is the Tampa Bay Time.
On her website (http://eveedelheit.com/) she includes a lot of her work. There is a sub heading that states 'stories' and within that are 3 categories and i have chosen work from two of those to represent her documentary style.
The categories is 'more than a game'. The photos show an American football team during a match before and after and also celebrating too. below are a two images i have chosen.



























The second category is entitled 'Red, White and Blue'. This category contains images that were taken around the time of the 2008 election when it was neck and neck between Mitt Romney and Barack Obama. It shows the overwhelming support for both parties from everyday people. 
Below i have included some images i have chosen. 
















Through looking at documentary photographers from the late 20th century and from present day i can see the main objective and goals are the same but the differences are the things they are photographing are quite different. 

Visual Cultures 11 - 1950-1960 youth culture and pop art

Consumer culture in 1950's advertisements


During the 1950's the world was recovering from world war two. The way Americans lived especially after the war changed. They were living in a time where consumer values very much dominated the American culture and their economy. 
'The good life' was now the way every American wanted to live. To put 'the good life' into economic terms meant that there was more income and more leisure time.
This was because Americans truly believed the good way of living was going to last they wasted no time enjoying flashy cars, television and being able for the first time to be very open about their sex lives and sex in general. 


A prime example of consumerism in advertising is in car commercials. The car commercials during the 1950's depicted the good way of life. 
For this first time car advertisements began focusing on selling the 'experience'.
Instead of the short snappy visual experiences you see in todays car commercials. Back then they were very different. They were long winded and this was due to the fact the commercials consisted of a narrative describing the car in fine detail. 

unlike TV commercials, illustrated advertisements would mainly consist of the image, and the image would alway glamorise how good the 'good way of life' really was. Although there is text shown on the advertisements there is only a snappy slogan and model of the car in large colorful text the rest is shown in small black text.






The idea of being able to drive

After the war more metal to make parts were new available meaning new lines and models of cars were being created. This sent post war America into a new car boom.
People were now either getting rid of old cars they had during the war or were finally able to purchase their own car. 

When buying a car the customer wanted to see exactly what the car could do for them and this was exactly what people tried to get across in the adverts instead of just making the car visually appealing. The families in the suburbs were their main focus for these car commercials and advertisements. 
This was because people in the suburbs often had to drive to the cities to work. This was also a scenario that was directly used in the advertisements and commercials themselves. At the beginning they were targeting solely the working man, and the women at the time were meant to stay at home and take care of the household, this soon changed.

New commercials and advertisements targeted the whole family not just the men. The aim of these adverts was to say the whole family can have more freedom, that the mother could go out whilst the husband was at work, all they needed was a second car. 
An example of this is shown below in the commercial:

Ford car commercial.

Saturday, 8 March 2014

Visual Culture 10 - 1940's and 50's (second world war and cold war)

John Heartfield, photomontage and anti-Nazi propaganda


During the 1930's the Nazi's were starting to obtain more and more ground in Europe despite this a lot of people were choosing to ignore the threat of war Germany posed, rather actually choosing to take a laid back approach. 
One person who decided not to ignore and pretend it wasn't happening was John Heartfield. He decided to through the pieces of art he produced were photomontages decades before photoshop was invented. 

The image to the left shows John Heartfield (at the top of the image) doing Adolf Hitlers hair. 

















Blood and Iron

John Heartfields interpretation of 'Blood and Iron' portrayed through photomontage the image depicts bloody axes that formed the shape or the swastika.
















It was stated during this time that the German people would in the end be reformed through a combination of blood and iron.
In the year 1939 John created this piece of artwork shown above.
This photomontage is a perfect representation of 'blood and iron' in reality.

Piece and Fascism


The dove is a symbol of peace and has been shown in art as this symbol of peace dating back to as early as the 1400 and possibly earlier. The dove in the 'peace and fascism' photomontage shown to the left, is impaled on a knife that is attached to the end of a rifle, which was meant to represent the rise of fascism in Europe in the year 1930. In the background behind the dove is the league of nations building and on top of that building you can see a flag flying. The flag depicts the Nazi Swastika.









Other examples of John Heartfield's work is shown below:

















In todays day and age John Heartfield is considered to be the master of political photomontage and for good reason not only were his pieces of work amusing but they were insightful and informative even if other people were not ready to take seriously his claims. But as well as being all of the above they were still good pieces of art. 

The aftermath

After the war Adolf Hitler was finally defeated bringing and end to Nazism, John returned to Germany after previously having left and lived out is days in East Germany. His life's work was commemorated on a postage stamp to be enjoyed by millions. 





Friday, 7 March 2014

Visual Cultures 9 - 1930's USA

The Hollywood studio system

The Hollywood studio system was said to be created in the 'golden ages' by the collaboration of 5 different major studios, later to be known as the 'great 5'.
The Hollywood studio system is credited with creating the majority of the most iconic stars of the said, golden age. 
At the beginning of the studio film production there was a special scheme or system put in place that helped the development of very talented actors and actresses. This system was called the 'star system' it included  investing large amounts of money in the recruitment and training of fresh new talented stars and ending with a contract from the studio.

Breaking the sound barrier

Breaking the sound barrier was something that dramatically changed movies as the world knew it.
The use of sound in films brought the silent movie craze to a complete end in a matter or years. 
'Talkies', as the films were formally known, increased the number of people who would attend film screening, not by the hundreds but by the millions.
Due to the fact that talkies were not that good technically meant that the quality of the visual aspect suffered, but this wasn't such an issue as the majority of people became fascinated with the dialogue and lyrics that were so new to them.

The first successful talking film was entitled 'The jazz singer' and was released in October in the year 1927. 
The actor who starred in this production was Al Jolson who was a very popular singer of the time.
During the production he could be seen wearing black face paint. This is known as 'Blackface'

Blackface

Al Jolson from the film 'The Jazz Singer' in blackface make up.









Blackface make up was used on white people to imitate the face of a black person. In history this actually emerged in the mid 19th century and was used to put down the fear and morbid fascination with the black culture.
Black actors were not hired at the beginning of the 20th century therefore the blackface method grew very important for desensitising people.

Visual Cultures 8 - 1920's in Europe and Russia

Propaganda in graphic design and illustrations during the 1920's Soviet Russia

Propaganda

Propaganda is something governments use to manipulate and control the general public. The information used may or may not be true information. Propaganda is used to provoke the general public to do exactly what the government wants, without them necessarily knowing they are under the power of propaganda. 


The revolution

The revolution brought a new wave of various forms of art into the mix. Examples would be westernised culture, dada futurism, constructivism, surrealism. This lead to (especially in the early years) the propaganda posters that soviet russia produced being largely influenced by those movements.
Despite this the soviets poster did resinate its own style whilst still being influenced by other means. 



"A spectre is haunting Europe - the spectre of communism 1920"












This poster entitled "A spectre is haunting Europe - the spectre of communism, 1920" is a prime example of propaganda in Soviet Russia's posters.

Lenin was known as a great debater, who had a fire in his belly. This is well brought across within this poster by his stance, and him pointing. 
There is two main propaganda elements shown in this poster. 
One being the red banner, red represented the revolution in Soviet Russia. The second being the smoke stack which represented the industrial work that was said to help the country move forward to the future.


"Beat the whites with the red wedge 1920"













The picture entitled 'Beat the whites with the red wedge' is another prime example of propaganda poster.
Just like the previous poster this poster also contains a lot of red which again represented the revolution.
When you look at this poster it isn't hard to notice the massive influence of non soviet art movements. This poster is massively influenced by the new avant garde movement. This form of movement actually influenced a lot of other Soviet posters.

Propaganda although can sometimes be used in a bad way, was included in some very iconic pieces of art in the form of posters not only in the Soviet Russia but in other countries like America and Britain. 














Wednesday, 5 March 2014

Visual Cultures 7 - 1900- 1920

Art of the first world war and it's aftermath


As well as photographing the events that happened during the first world war, many artists would create pieces of artwork depicting things that happened.
an example would be a painting by Max Oppenheimer. Who painted an image of an almost naked man holding a wound on his chest. He entitled the image 'the bleeding man'.

'The Bleeding man'


















Although you see these paintings and you know that they are showing the death and suffering of men, there is something appealing and beautiful about the actual pieces of artwork. This is because a large majority of the paintings have very vivid color and this is considered to be a beautiful thing as bright colors are associated with happy things. 

Max Beckmann

Beckmann's name was one that kept popping up whilst i was researching war art. 
He is concidered to be a widley known as one of Germany's best 20th century artists. Beckmann was a figure painter by trait and during the war he took advantage of the world around him and painted his experiences throughout the war, political turmoil during the 1920's and 30's, the rise of nazism, exile in Amsterdam and his emigration to the USA.

Beckmann was in the action during the war serving as a medical orderly. This did have a profound psychological effect not only on his brain but his artwork also. 

'The Grenade'


















Propaganda posters



Propaganda was used a long time before world war one happened. But using propaganda on posters only came around as world war one did. 
Almost immediately from the start of the war the government started to produce posters to get the public to join the army to help the fight. The image to the left shows a British recruitment poster and below that there is an American recruitment poster similar to the British one.























The American recruitment poster above is one of the most iconic images from world war one. 
The poster would include short punchy lines that would make you feel like the poster was directly speaking to YOU, as though America or Britain needed YOU to help win the fight.
They would say things like 'Uncle Sam needs YOU', Join YOUR country's army' and 'God save the King'.

Aswell as the text the posters would also include drawings. The drawings were designed to convey pro-war messages and to seem to be looking at you, and also pointing right at you as you have seen from the two posters show above.

Tuesday, 4 March 2014

Visual cultures 6 - The late 19th century.

The birth of cinema






Whilst researching this topic you can instantly see that a lot of references will state and credit Thomas Edison for inventing the first motion picture camera in 1891, better known as the Kinetograph, Edison also invented the kinetoscope which is a peep hole motion picture viewer. 

The motion pictures grew in popularity fast and within the space of 10 years, single viewer Kinetoscopes were created. This meant that the target audience grew massively.

To the right i have inserted a picture of what a Kinetoscope looks like. 


Origins of motion picture 
The concept of moving images as entertainment despite what people may think was not a new matter when the late 19th century came around. Before the invention of the Kinetoscope, people would use magic lantern as a means of entertainment. The magic lanterns proved to be very popular.
The magic lantern would use glass slides with images which then would project onto a surface, a more primitive form of todays projectors. 
But this was not the only form of entertainment that was around before Thomas Edison invented the Kinetoscope. 



This is what a magic lantern looks like. 












Edison's first motion picture studio
Edison's first motion picture studio was entitled 'the black Maria'. This was a specially built motion picture production studio. It was entitled the black maria because of it having a striking resemblance to a police patrol wagon of that time. 
This studio had to be built in order to support the influx of new film subjects (new film subjects were vital to keep the public interested in the motion picture). 
The studios roof could be opened to allow sunlight in to illuminate the room. The building itself would move, it was mounted on a pivot this was so the studio could constantly be lit up by sunlight

The black maria (to the left)














The first motion picture recorded
The earliest recorded motion picture was entitled 'Fred Ott's sneeze' (Edison Kinetoscopic record of a sneeze, January 7th 1894).
The sneeze is from Fre ott who was an employee of Edison, it is said that fred sneezing commercially for the camera.


Monday, 3 March 2014

Visual Cultures 5 - The Nineteenth Century

The Nineteenth Century

http://photographyincontext.blogspot.co.uk/2013/03/documentary-and-storytelling-summary.html

The word documentary basically means story telling saying something as it is. 
The increasing popularity in documentary photography was due to the mass amount of press after WW2. 
Photographers then became a key way in everyday life of illustrating a story through this media format, educating in a creative manor as well as recording and documenting were the main goals of documentary photography. 

'Humanity in war'

'The american civil war 1861- 1865'











The photo depicted here is only one of many that are shown in the book 'Humanity In War'. All of the images are meant to illustrate the history of all armed conflict from the mid 19th century to present day.
The moment the world really started documenting what really happened on the front line, in all these wars and conflicts was the moment the public (that were not necessarily there to whiteness it first hand) could really truly see the horror of what really goes on.

Civil war photographer
by Mathew Bardy

Mathew was one of the most famous 19th century civil war photographers. Despite this is it believed that a large number of the photographs he is famous for were not actually taken by him, but were actually taken by employees of his. 
Mathew took photos of scenes at Gettysburg, Pennsylvania following an epic battle in early July 1863.

Although Mathew is considered as one of the greats of his time (mainly for war, documentary photography). He was not actually specialized in that field of photography he was actually a portrait photographer, taking many portrait or people and also himself. 















The pictures Mathew created of the war truly capture the suffering and the rawness of what war was really about.
Without these we might not have such an accurate idea of what war was like in the 19th century.















Visual Cultures 4- 17th and 18th Centuries

 17th and 18th Centuries

Vermeer


Vermeer is now known to most as one of the 'great Dutch masters' which may be surreal to many as only 35 paintings by him are actually known. 
Influences
The earliest work by Vermeer from the 1650's included a vast amount of religious and mythological subjects.

The sheer fact he has only got few paintings to show for his life times work may suggest that he would work on each one for an extended period of time.

Style
He had a distinct life like/ realistic style to his paintings portraying light as you would see it in real life and also by focusing great detail and care with object placement and architectural space.
Bellow is two examples of Vermeer's work:

The Girl With the Pearl Earring

'The girl with the pear earring' is one of the most famous paintings by Vermeer. This is a painting i certainly grew up knowing about. I vividly remember seeing this in a year 4 art class during my primary school days. 


The painting (shown above) was originally called 'the girl with the Turban'. The name got changed half way through the twentieth century. This is said to be Vermeer's 'masterpiece' but it is often referred to as 'the Mona Lisa of the north' or 'the Dutch Mona Lisa'.

The girl in the painting is said to be Vermeer's eldest daughter believed to be round the age of twelve of thirteen at the time this painting was painted. 
Her facial features are said to appear in several of his paintings but because he used multiple techniques on the subject of his paintings, it does make it harder to compare all the females faces due to the women being portrayed in various different lighting and poses. 

When you look in depth at lots of examples of Vermeer's work you will notice a pattern. This pattern leads you to figuring out his main subjects. The main subject matter for his work is almost always women. Some would say it was obvious that he took a keen interest in women's various roles at the time. 
He would depict within within his paintings women maintaining the idealist way of life by keeping certain order within the household and raising children, all within christian values. 
Therefore arguing that women played a vital role in safe guarding tradition and moral values throughout generations.

 Rembrandt

http://www.bbc.co.uk/arts/yourpaintings/artists/-rembrandt-van-rijn

Rembrandt again was one of the most influential European/Dutch painters of his time (1604- 1669).
His main style of work was painting people mainly in a portrait style and in his time painted more paintings than Vermeer.
Many of which were paintings of his friends and also scenes from everyday life. 

Wealth
He found great wealth early on with his paintings. These paintings showed stories from history, religion, poetry converted into intense drama.
An example is shown below:
















I have inserted a link that within it holds a whole number of Rembrandt's work:

In comparison to Vermeer you can tell instantly the similarities, in the way they painted people and in there surroundings within the painting. They both captured realistic light well and also paint people in a realistic manor. One difference i feel is predominant is that Rembrandt's paintings depict a lot of wealth and actually appear to be painting specifically to show that. 
I also notice that Vermeer's paintings hold a lot more color then Rembrandt's did.