Sunday 23 February 2014

Visual Cultures 3 - The Renaissance

Hans Holbein the younger


"Hans Holbein the younger, self portrait about 1542-3. Florence"















As far as 16th century art goes, Hans Holbein the younger was one of the most accomplished portraitist. 
Although Holbein was born in Augsburg, in southern Germany 1497. He spent a lot of time and a large amount of his life in England (1526-8 and 1532-43). It was during this time that he worked for Henry the Eighth as well as other important people of that time.

Slideshow

This link takes you to a really good slideshow, showcasing some of Holbeins best work.

The ambassadors


"The Ambassadors 1533"


















This painting captures the essence of two young yet powerful men. The man on the left side is believed to be Jean De Dinteville who at the time this painting was completed was a 29 year old french ambassador to England in 1533. To the right of him you see his friend George De Selve who was a little younger that Jean at the age of 25. George was the bishop of Lavaur. On occasion he was asked to step in as ambassador to the Emperor, the Venetian Republic of the Holy See. 

The first thing you do notice when looking at this painting are in fact the two men but as you look at the finer details you notice the objects that are quite clearly strategically placed. The reason these items were placed there was to show not only how wealthy these two men were but also to show how educated they are and even shows their mortality in the elongated and distorted skull on the floor. 

More of Hans Holbein's work

http://www.thetudorswiki.com/page/Hans+Holbein+Paintings+%26+Sketches




Saturday 22 February 2014

Visual cultures 2 - The Medieval world

The Medieval world


Medieval Britain (Christian and Celtic Europe)

In the middles ages/medieval Britain most art were depicted through stained glass windows, books and other things of that nature. Quite a lot of the art was used as a means to tell stories. examples of this is the fact most books that were around at the time contained mainly pictures and little or no text. This was due to the vast majority of people not being able to read. The books themselves were sometimes called 'quick' (i.e. living) books because of this. 

A lot of different media types were brought together for one purpose and this was to try to explain stories and different aspects of the christian faith. A lot of this would happen in the churches.

Medieval art in churches


"1180AD stained glass canterbury cathedral.
The windows in canterbury evolved during the medieval period over several centuries into a collection which is considered to be one of the finest in Europe. The earliest shown above is one of the 'Ancestors of Christ' series of windows"




Cathedrals do display a wide range of architectural styles, from early gothic to the renaissance. One style that helped the churches during the middle ages was that they could enjoy enormous power and wealth leaving cathedrals to be seen as a dominant part of british society today.

Ascension of Christ


"medieval stained glass depiction of the Ascension of christ which associated old testament 'types' corona redemption window (corona I), c.1200-07."

The stained glass window shows "the depiction of the Ascension". You can clearly see Jesus Christs feet at the tio, disappearing into the clouds above. All whilst the "apostles" look up at him.
The scene being shown here is an Anglo Saxon tradition, it originates from early christianities representation of Jesus Christ ascending a mountain towards 'gods hand' or in fact' lifted up in a mandorla by angels'

Although there are other images in the stained glass the ascension of Jesus scene is central as it is most important to the beliefs of christians. 
Artists and craftsmen in medieval Britain created beautiful pieces of work to show religious scenes or important events that have stood the test of time and live on in todays day and age. 

Britains Bayeux Tapestry (museum of Reading)


The Bayeux Tapestry is preserved and displayed in Normandy, France. No one is completely sure where this tapestry originated from.
The first written record of the Bayeux Tapestry is in 1476. It was written down in the treasury records in Bayeux. What was actually written down was as follows:
" a very long hanging on which are embroidered figures and inscriptions comprising a representation of the conquest of England"

Although the original version of the tapestry is in Normandy, France we actually have our own replica tapestry on display in Reading here in England. The replica was created by Elizabeth Wardle, the idea to create this replica was also her idea. 












In 1993 the newest Bayeux Tapestry gallery was opened the Tapestry was carefully places in a hug, specially designed glass case. This new display means the Tapestry can be viewed in its entirely


http://www.lordsandladies.org/bayeux-tapestry.htm

It is said that throughout the entire tapestry there are 623 people, 202 horses, 55 dogs, 506 other birds, animals some of which are mythical, 49 trees, 41 ships, 37 buildings, 57 latin inscriptions containing nearly 2000 letters.
The initial idea behind creating the tapestry was believed to be to record the Normans dipiction of the battle of hastings in 1066.




"This image shows a scene from the Bayeux Tapestry"


















Friday 21 February 2014

Visual Culture. 1 - The Ancient World

1:- The Ancient World

Alphabet at that time and how it influenced today's alphabet

Many believe that the very start of the alphabet can be traced back to ancient egypt. The very first alphabet emerged around 2000 B.C. in ancient Egypt but by this point the basic alphabetical principles has already been included into Egyptian Hieroglyphs for a millenium.
The majority of other alphabets in the world today either descend from this single discovery or were inspired by its design including the phoenician alphabet and the Greek alphabet.
















"The rosetta stone shows the coexistence of hieroglyphs, hieratic script and the Greek alphabet in Egypt in the third century B.C."


The invention of written script in ancient Egypt

Ancient Egyptians believed it was vital to record and communicate information about religion and also the government. This would eventually lead to Egyptians inventing a written script to record this important information. 
The most famous of these scripts is hieroglyphs. This is the one that the majority of people today would know.
However over the course of the 3000 years of Egyptian  history the did create 3 other scripts. Each having their own purpose.
The 4 different types of script were used for things like preserving their beliefs, history and the idea of ancient egypt itself. The forms of script could be recorded on tomb walls, temple walls and papyrus scrolls.
















Nicely sculpted hieroglyphic signs on a piece of stone at the Louvre museum, Paris.


Scribes
Who were the scribes

Scribes were usually men who had learned to read and write. To have the right to do both of those things. To become a scribe you had to attend a school purposely built to teach younger people to read and write in hieroglyphs and hieratic scripts. It was said to be very complicated to learn and it came with a massive work load. 
It would take 4-5 years to qualify as a scribe and to become a scribe you must be the child of a man who is already a scribe themselves or from a very wealthy family.






A drawing of an interpretation of boys who were attending scribe school.


What writing was used for in ancient Egypt
Rituals

In Egyptian religious beliefs certain rituals had to take place, this was necessary to keep the gods happy. These rituals would be carved into walls and also would be handwritten in papyrus scrolls.

In government

In order to know how ancient Egypt was running and if it was running efficiently, the government officials kept records. This is useful to us now  as it gives us a better understanding of how ancient Egypt was run.
The government officials were in fact also scribes, they had been promoted to a higher position. One scribe after being promoted to be a part of the government was the promoted higher and became a Pharaoh.

In the army

Military leaders were trained scribes also. This was necessary for the military leaders as it made them able to communicate whilst at battle. 

In the Tombs

One of the most famous examples of written script from ancient Egypt that the majority of people today know if is carved text in tomb walls.

Ancient Egyptians built every Pharaoh their own tomb. The point of each Pharaoh having their own tomb was down to religious beliefs.
Firstly in order for the pharaohs to be taken to the gods in heaven once they die, they needed a place to keep their body and also their belongings until they were taken to the afterlife. 
Writing was also a vital part of the burial process also. Not only is the text beautiful artwork for the tombs decoration but it is also a ritual spell to help them get to the afterlife. 

Scribes write the script on the walls of the tombs and then the craftsman would carve the script out of stone. The spells are so vital to the burial ritual that once the craftsman has finished carving the script the scribe will check the work he has done and if it is not absolutely perfect they believed the spell would not work thus not helping their Pharaoh reach the afterlife.

http://www.ancientegypt.co.uk/writing/home.html - link to the infomation above


The book of the dead

The book of the dead is also a vital part of the burial process. Despite it's name the book of the dead is actually not a book but just a name given to a collection of different spells that were written down. The majority of these spells are directly linked to helping the dead reach the afterlife.

Most of the spells are found are written on papyrus and some on tomb walls. Altogether there are 200 found in total. 

http://egypt.mrdonn.org/bookofthedead.html - link the the infomation above



Examples of spells written on Papyrus from the book of the dead












"A representation of the Devourer, who waited to eat the hearts of sinners in the afterlife's Hall of Judgment. Papyrus of Ani, c. 1275 BC"
















"A depiction of the Opening of the Mouth ritual, in which a mummy is symbolically brought to life. Papyrus of Hunefer, c. 1280 BC."



A good documentary to watch regarding the burial rituals of the Ancient Egyptians is 'Mummifying Alan: Egypt's last secret, which i will add a link for below.



Monday 17 February 2014

Evaluation

Project evaluation

My concept behind this project was to physically represent my memories in a single image. I mainly wanted this to be my concept because the entire project is put under 'north east stories', this makes me want to make the project to relate to me as much as possible as i do live in the north east and no one knows the northeast and what goes on there better than someone who lives in the northeast. So making it relate to me is almost effortless. 

The factors that have really influenced me are seeing photographers and images through my research on narrative photography because it lead me down paths I may not have even thought about had I not looked and these images or photographers images. 

I think my final outcome does meet the requirements of the brief because I have captured an engaging narrative in my photography it’s an image showing my memories, showing my looking back at memories that I miss and the reason I think this Is an engaging narrative for the audience is that you can come up with a thousand explanations for the image, the possibilities for the narrative true story could be endless.

I think if I was to improve my work I would have at least try to physically re-enact a photo from a memory I cherish I do feel like that would be just as powerful but I think the way I captured the memory in my actual final outcome is far better.

To complete this project I had to do a lot of research and a lot of thinking to actually just achieve the smallest ideas for a final piece because at the start of this project I was truly stuck for ideas and I thought I wouldn’t achieve a final piece in time. But the research gave me lots of direction to go down to create a final image and I would say that was my main help.

A new skill that I have been working on for a while but used by myself for the first time during this project was captures one. This is the soft ware I used to look at my images from the shoot and determine a final image and also edit the final image.  As I have used this software before I did not find it too challenging but I am glad that I was able to use the software with no complications.

The assignment challenged me a lot because it made me really think out side of the box to fathom ideas because at the start as I stated I had no direction.

On reflection I am happy with how the final piece came out. In my head I had an idea of using personal experiences to show an engaging narrative and to use memories and those personal experiences and I think my final outcome really represents some of my memories.

Final image for my photography and narrative project part one


This is my final image for part one of the photography and narrative project. I chose this because i honestly really like how the hands look, because of the way they are positioned and also because of how delicately Ed appears to be holding the Polaroids. 
In the polaroids you can see 3 people, Ed, Danni and Becca three of my friends from college. These are two days that stick out in my mind for being fun days and they are memories that i do cherish, and i love how as i stated before Ed is holding them delicately and almost pushing them forward towards the camera like you need to look at the Polaroids. 

I didn't really need to edit these photos because i captures the right lighting that i wanted using my external flash, so i only really edited it by sharpening the image.

Shots from my final piece shoot















These are a few of the 100 some photos that i took, i chose these to show before i edited one of them for the final because these are my favorites of the shoot. 
I just wanted to make these photos look like the person in it aka Ed was showing the audience the past memories i've had or my friends have had an i think in these photos i did capture the essence of that and i am very happy with how the all came out really not just these few. 
Now i am going to narrow them down to just one and edit it if it needs editing and then i will publish and show it on my blog.


Final idea

Final idea


Through my research I have always stuck strongly to the idea that i want my final piece to relate to me and be something personal all because the project evolves around north east stories and i live in the north east.
Some photographers have inspired me and some haven't. 
But through looking at everyone i have gathered an idea that i will try out, this idea is that i will show a memory of mine in a photo. I was thinking off maybe re-enacting a memory but i thought that might be a little difficult to find the right location etc and gather my old friends together as i don't talk to all of them anymore. So then i looked at some more narrative photography on Google images that were not tied to any specific photographer.
I came across this photo of a girl in a dress in front of some flowing mesh curtains holding up a picture of a building, i had no idea which photographer this belonged to so i can't credit them to this but it got me really thinking about my final outcome and it gave me a new direction with my images. 

My new idea is this. I have a lot of old Polaroid images of me and my friends at parties etc that we attended all through college these are some of my fondest memories thus far in my life and i love that i have them all there in physical form to look at and cherish, this to me is personal so seeing this image gave me an idea in which i could use these Polaroid images to show the narrative of me looking back at memories for this project. 

I am going to mess around with some ideas and use Ed my friend who also appears in many of these Polaroids to create some photographic ideas. 

Nan Goldin

Nan Goldin

Nan goldin is someone i looked at, at the very beginning of the project. She has truly moved me with her photography, i liked the rawness of her work before hand but after the seminar with Jamie in which he showed us a film all about Nan and her life and going back interviewing people who she took photographs off and were in her life, it took my breath away in a sense i do feel like i felt sorry for her and how much sadness and grief she had in her life from her sister committing suicide to tons and tons of her friends dying through aids and other illnesses.

I was truly moved and affected by her work and knowing that all the narrative photographs she took were taken during her day to day life, of her friends and herself  doing what they loved doing at the time, doing what was normal.

This really inspired me because of me wanting to make my narrative personal to me it's made me think about using maybe physically representations of my memories in my photos some how. Almost like a look back on my life so far or maybe a certain point in my life so far that i miss. 


Christina De Middel

Christina De Middel

Christina's work really caught my eye as soon as i saw it. 
The moment you lay your eyes on her work it automatically looks interesting and different because of the locations they are shot in or maybe because of the props. But that was something i liked because most of the work i had seen up until this point were almost repetitive and boring to me.

I will place a few examples bellow of some work i liked but didn't give me too much ideas. 

Both of these images are visually appealing to me, i think the reason they didn't particularly inspire me are that one:  i couldn't really re create the same look myself as i can't drive and don't have the largest amount of spare money i couldn't buy impressive props, and two: for this project i do want to create a narrative that was personal to me or my experiences and the examples i have just shown didn't really help me develop ideas for that.

However i did find inspiration in the following images. 



 Although these images were not taken by Christina they are images of her work from books. It was actually taken by someone who was reviewing her work i am lead to believe. The reasons i have decided to add these in is becasuse i really liked how the image looked with the hand in it, it's like looking back through memories almost, And that could be something i could look at and interpret into my own idea.

Martin Parr

Martin Parr


I have known about Martin Parr for a while now. Pretty much for as long as i've liked photography.
I know that he is most famous for his images taken at beaches of families and people enjoying the sands, food etc. 

I would say those images are quite iconic. I have looked at Martin Parr but i have come to the conclusion that his work isn't really inspiring for what i want to achieve although it does give me other ideas if in the end this one isn't something i want to follow up. 

Sunday 16 February 2014

Cindy Sherman

Cindy Sherman

Cindy Sherman is well known for using herself in her photography, taking a lot of self portraits in various wigs and outfits. I wanted to include a few examples. 






Duane Michals

Duane Michals

Although Duane Michals photography is not the kind of photography i'm looking toward to inspire me for this project, i do really like the way they use a series of images within one to explain a story and show a narrative, which is something i really like so i wanted to show a few examples. 





Tom hunter

Tom Hunter

Website i looked at: http://www.tomhunter.org/gallery/

Instead of just using google images i thought it would be best if i looked at a website that was only about the photographer as google images can be unreliable with its images. This website showcased a lot of different series' of images that are all about expressing narratives in photography. There was a lot to chose to look at but i thought it would be best to look at as many as i could so i could get a good idea of his work.

I will only talk about the one that really inspired me to think about other narratives otherwise this post may be a little too long and boring. 

As you know through reading my older posts i want to capture a narrative that is personal to me to do with my memories so throughout looking at all photographers i am constantly waiting for something to help me fabricate ideas. 

The first series that stuck out to me was the 'Flashback' series of images he mashed together old period style looking outfits and unusual probs. Tom said in a brief paragraph about this series that he's 'blurred the boundaries between fine art practise and documentary by re-examining the history of London using key artefacts from the museum of London'
The main image that caught my eye was image of a women dressed in what looks like a victorian gown who is holding and stood next to a Vespa. The reason this initially caught my eye was because i thought this is something i could think about because my dad owns Lambretta scooters and i could not reenact the image but take the image into consideration and create my own interpretation of it. 

And also the fact that i wanted this part of the project to be personal to me and my life as it is north east stories, using my dads scooter would be perfect for that. 


Looking for inspiration

Looking for inspiration

Now that i have an idea as broad as the topic may be i am now starting to look at narrative photographers to get inspired and head down a direction which will in the end produce a final outcome that i feel best sums up memories on a personal level with me.

I am going to start by looking at a list of photographers provided by my lecturers as a starting point for this unit and i will then branch out do some of my own research and try get myself truly inspired.

Wednesday 12 February 2014

Idea

New direction


I was stuck on a concept for part one of this project for a while as you know but after listening to Antony talk about what narratives in photography are and could be i have a whole bunch of ideas going through my head. 
I now know that a narrative in photography could be anything. even something as simple as a shoe on the floor, everything holds a narrative and seen as though i live in the north east it automatically by default about the north east also. 

Thinking about the fact it could be about anything and represent anything real or not got me thinking. 
I know i want it to be about something real. Just like my ideas for the second part of this project i want it to relate to my life and people in my life. This way it makes it more meaningful and personal to me and it makes the narrative easier for me to relay to the viewer i think because i know exactly what it is opposed to a made up story.

I've decided that i want to do something that involves memories, I think this is such an interesting topics and there is so many ways you can portray this through photographs, this is my first real idea so i will look into in and mess around with different ways to do it before i make my mind up and i will also look at other photographers too for certain spells of inspiration. 

Tuesday 4 February 2014

Initial direction for part one

Today we had a seminar session with Antony and we looked at photos and he really made me understand a lot more about narratives within photography. A engaging narrative in photography can be about anything. Real or fake, true to you or not, something you have experienced or not, from the past, present or future. It doesn't even have to be real if you don't want it to be.

This made me think about the new project in a whole new life. Before i was worried that i would be able to think of subject matter for this project, i had no real idea what kind of story i wanted to tell within this single image. 
But now i have got a main 2 main ideas that i want to try out and see if i can achieve what i would like to with them.
But i need to do further research on photographers to be more inspired. 

Monday 3 February 2014

Photography and narrative

What is narrative photography?


Through my own research i have come to the conclusion that most people if not everyone's perception of narrative photography is that it is a form of photography that is all about being able to capture a story within the media of photography.

Its about being able to capture an event on record, in a photo, whether it is candid or not. Almost like a picture book. You should be able to know exactly what was going on in the image just by looking at it. Without the aid of a story or explanation. 

New project


The newest project as you can probably tell is all about photography and narratives within that. This project is split into 2 parts. 

Part 1:-  This first part is all about capturing a story in only one image and there is no guidelines and also no boundaries with what this story is going to be about. The only thing that is said is that is needs to hold within it an engaging narrative. At the end of the project we should be prepared to present this single image in front of a group. We also need to be able to talk about the image in front of this group. 

Part 2:  The second part of the project is based on capturing the North East of England. But this time it can be in a series of images. The subject matter can be anything that we chose to do as long as it is your own piece of storytelling relating to aspects of life within the North East. Again like the first part of the project we are asked to be prepared to present and talking about our work to a group. But this time the work will be presented in a digital slideshow. 

Initial thoughts

PART ONE:     My initial thoughts on the first project aren't to great, normally straight after getting the brief i can almost instantly think of where i would like to go with the project but i didn't have that kind of experience with part one of this project.  
Nevertheless I am pretty sure if i do some further research into narrative photographers etc i will find my own direction to go in.

PART TWO:     My experience with this part of the project was different. As soon as i read this part of the brief i had floods and floods of ideas. This was not a shock to me as i am a northern lass. I was born in North Yorkshire and i have lived there all my life. 
Despite all of the ideas i had none of them really fitted in with the brief saying 'it should be your own bit of storytelling relating to an aspect of life within the North East'. It actually took me ages days and days to actually get a real idea and i felt like kicking myself after discovering this idea. 

As it has to be your own bit of storytelling i definitely wanted it to be something close to home. Something that was not just general of the North East but something i have experienced in my life that to me sums up the North East. This for me was the industrial side of the North East. As most know a lot of the North East is infact industrial and has been for a long time. Some of the industrial work we have still and have had in the past are: glass making, coal mining, steel and iron work and ship building. 

These forms of hands on labor are what i personally have experienced in my life and to me would describe in my own story aspects of life in the north east, this is because my dad has working at Allerton Steel in my home town since the age of 15 he is now 44 years old. When he started out working at Allerton Steel he initially worked on the 'shop floor' cutting and welding steel that would in the end be used for things like bridges all over the country. Through the years he has been promoted and got higher and higher in the company and is now working in the main office of the company opposed to welding steel. 
This is a good thing because my dad knows the company and the jobs inside and out. 
But i digress. 

As i have seen my dad do this job since i can physically remember life i have always known the kind of work he does and having gone to work with him on occasion etc it did become a part of my life growing up and for me the fact the industrial side of of the north east is so well known and the fact that my own dad works in a company and always has done that is industrial it was a perfect fit for this project because i am infact telling my own story about my experience of life in the north east.

Now the question is how to capture this. I have sent my dad an email proposing that i go to his work with him for 3 days and over the course of these three days i will try to capture the essence of not only his job but the welding and the cutting etc this way i could capture all aspects of my dad career dating back to when he first started thus actually capturing real life from within the north east. I just need to now get approval from the owner or the company and if he says yes that i think i could capture some really cool photos! 

Let me tell you i am so excited about the second part of this project!